I've seen some of these paintings around and about lately, and tonight finally found the link to the October 2008 Virtual Sketch Date blog. Yikes! It's due TODAY! What a great photo (from Belinda Lindhardt). I did it so fast that I probably didn't do it justice, but it was fun.
:-)
(Watercolor on 5x7 Aquaboard)
The tree is too tall or the cliff is too short... everything is relative, and it didn't matter anyway, since it was more about the color today.
So... I'm just playing around a little with shades of grey, or very greyed tones on a small piece of paper early this morning. I thought my sky and background was nearly white until I took the tape off, and then I was astonished at how dark it was.
Notes to self:
--Background done with a pale yellow ochre wash, dried well, and then a thin mix of rose madder and cerulean was stroked over all.
--Yellow ochre and cerulean with a bit of french ultramarine and burnt sienna ( I know -- sounds like a lot, but it worked...) made the most interesting greys today, with lots of granulation happening even if just a touch of cerulean was added.
--Dark greyed green -- winsor green (believe it or not) with yellow ochre and french ultramarine mixed in a nice streaky mix, and then a touch of burnt sienna to that to dull it down.
Almost abstract, isn't it...
These cranes are easy to draw in certain angles -- in other angles, not so easy. It is a good challenge. And regular paper feels funny after that Aquaboard!
By the way, Artoberites, I did draw yesterday -- I just spent my time working on something that isn't finished yet, so I didn't really have anything to post. We all need to bug Diahn to come up with something "artsy" for November, don't you think?
:-)
A quick re-painting of the panel that was scrubbed in the other post. When the panel dried, the surface was not entirely white -- it was slightly discolored and there were tiny flecks of something dark. I may have scrubbed a bit too vigorously, too (I used a nail brush), and the surface texture felt smoother than the original. The pigment went on differently -- I won't say better or worse, just differently -- than before scrubbing, and it took a little getting used to. I like that the panel wasn't a total waste, but won't plan on saving any "unpainted" panels for pieces that I'm really emotionally attached to.
Meanwhile, I'm still practicing my crane folding. If you're curious and want to just give it a try, you don't have to buy origami paper. Lightweight gift wrapping paper works, too -- just cut it up into (about) 6" x 6" squares to start. Good instructions to fold a bird base are here:
http://www.origami-instructions.com/origami-bird-base.html
And you can continue to fold the crane following these instructions:
http://www.origami-instructions.com/origami-crane.html
Or for a totally different way (which I'm going to have to try tonight ...) go here:
http://video.about.com/familycrafts/How-to-Make-an-Origami-Crane.htm
AND, I'm planning a blog re-do, so don't be surprised if it looks a little bit different sometime in the next few days. If you subscribe with bloglines, it may also show up as a bunch of new posts, since I think I should have done a label for these pomegranates and pears, don't you?
:-) See you tomorrow! Keep warm and dry!
I mean, WHAT is THIS? Where did that perspective come from? Or, more accurately, WHAT perspective??? Sheesh. And the colors -- totally off. The more I tried to correct them, the worse they got. And while I'm loving this Aquaboard -- you CANNOT get an even wash on it. At least I can't, and if any of you figure out how to, please, please, PLEASE let me know!
This looks a little different in the scan than in real life. I used a couple of new colors which the scanner seems to really love, especially Holbein's Mineral Violet. In real life this is a bit more pink and cerulean rather than purple, but you get the general idea.
I love working with this new board, although it is a constant challenge. Working on it is a real balance of additive and subtractive processes, which can make parts of it look a bit, um, DONE, but it lets me really play. I didn't make a single pencil mark for this (or any of the other paintings on board), doing it all in just paint. Fun stuff, don't you know! It still needs some tweaking, but not too much -- I've about tweaked it to death already -- but that's it for today.
Have a wonderful weekend -- get out there and do something fun!
Well, like I planned yesterday, I'm playing with a landscape today, if that's what you would call it. It is of this little building that I pass several times a week -- an older building, an honest-to-goodness diner, with curved corners in front and glass block windows, siding and block painted white, with an old red sign -- a little diner with tons of character, especially in the evenings when the sun is hitting it just so. You know the kind of diner I mean, too. The kind that probably smells like bacon and has the best coffee in the world served in heavy white china cups while you sit on cracked shiny red vinyl seats. I've never taken the time to go in there, but I can imagine. Anyway, after passing this thing for years, I finally stopped a week or two ago and took photos of the building, noticing that the light was "just so" and knowing that I really had to paint it. And then, just a few days later -- just the other day, I noticed that the big red and white sign was gone and a "closed" sign was in the window.
I'd gotten my photos just in time, and that was a relief, but still... my little diner that I never went into was gone. Rats. So I'm taking my time with it now. I'm not rushing this little painting. I'm enjoying the diner the only way I can now.
There's more to my story, and this is the truth...
Yesterday, driving home from work I passed another great subject. It was another older building with a marquis sign up on a high pole. The glass on either side of the sign had fallen out and there were bare yellow and white light bulbs in the frame with the sky showing through the hole. I'd passed it many times and noticed it, but not with the same eye as yesterday. I even had my camera with me, but didn't turn around to take the photo, since I knew I could take it today. And today -- well today as I passed it with plans to pull over and take a photo, my turn around spot was blocked by a truck. A truck with a cherry picker and a man who had knocked out all the broken glass and removed all the light bulbs and, of course, was fixing the sign. That fast. GONE.
Moral of the story -- don't wait until tomorrow. At least do that sketch, take that photo, paint that painting, point that quirky landmark out to your friends or family. It just might be gone tomorrow. GONE. That fast.
See you tomorrow.
You know, last year about this time I was working on the color pink, too, and finally had enough sense to give it up.
As horrible as it was, I didn't worry too much, because I figured it could be fixed in the end by adding ink.
Orchids were on sale at Fresh Market -- just 9.99 for a small pot, so I had to get one to paint. Of course, I got the dark pink / light purple one. I'd been experimenting with new colors and really thought I had it figured out -- until I actually started painting it, that is. What was I thinking?
Pink. I will never find the right pink.
Meanwhile today we had a neighborhood garage sale. I sold only a little bit -- it was probably the worst garage sale in the history of garage sales ... :-( Oh well. I got rid of a couple of big things that were in the way and the little things can go to Goodwill or somewhere like that. Thankfully I wasn't participating in the sale because I needed the money; I just wanted to get rid of some of the clutter around here.
Later on Diahn and I went to Jerry's to pick up a little bit of paint. I'd made a mental note to try out Antwerp Blue (based on something I read) but saw that its permenance "fluctuates" -- it fades in light and then RECOVERS in the dark. ?? WHAT??? I had no idea that paint would do something like that. I was too creeped out to buy it. Waaaay too creeped out. What is it, alive??? Weird.
What I did get was a tube of venetian red and a tube of gold ochre. Both are solid classic colors that I don't have and want to play around with. I'll just use a different blue... and I don't want to know if either of them does anything like fluctuate, okay?
I AM having fun with these backgrounds ... but think I might be getting a bit carried away with the splattering. (BTW -- For really wonderful pears, go visit Diahn. She's doing a series that is really going to be exciting when it's finished!)
As for me, I'm just having fun playing around. These little bits are very fun to do. They are on 1/16th sheet of 300# watercolor paper with a border taped off with one-inch artist's tape, so that the total size of the little painting is about 5 1/2" x 3 1/2". I'm also playing around with the idea of adding some new colors to my palette and have been using Winsor-Newton's Winsor Blue (Green Shade) along with Holbein's Burnt Umber for the final few dark accents. I like the Holbein Burnt Umber because it re-wets well; the Winsor-Newton brand of Burnt Umber tends to dry up and crack and then is lumpy to re-wet. Of course, the Winsor Blue Green Shade is terrific, but may be a little bit redundant. We'll see. The most fun discovery was when I dropped a bit of this mix into wet Cerulean -- it really moves around and gets interesting. There will be much more experimentation before the new colors finally go onto the palette, though -- so if any of you have any suggestions (pro or con) please let me know!
And then there are the pinks ... :-)
And, as promised, here is my little unfinished painting from yesterday's watercolor class. It was from the WC teacher's files, and so I really thought it was probably California. Actually, it turns out that it is from Bethlehem ... which isn't too much like California, I don't think. Or maybe it is. I really couldn't tell you. I'll bet they have different views on guns...
Anyway -- I loved the way the statue was framed in the archway, and am having a great time playing with different darks. Now I just have to bite the bullet and ACTUALLY WORK ON THE STATUE, which is, after all, the SUBJECT of the painting. Enough twiddling around with the background already! (The statue, by the way, is of Jerome - also known as Hieronymus.)
Eh, maybe later. Pomegranates call...
And, again -- Zelma's painting ROCKS, doesn't it!
I'm enjoying getting back into the habit of drawing something daily. It isn't the chore now that it was the first day or two, and I actually feel some inspiration returning. For me I think the trick has been to do a drawing every day, but not post it until the next afternoon when I get home from work. In the past when doing daily drawing / posting, I've always drawn, scanned, and posted in the same day. For some reason, doing it this way has taken the pressure off. Go figure.
Well, the scanner is up and working. I can't tell you guys what was wrong with it ... let's just say it was fine and it had operator issues. (If I told the truth, the computer police would come to my house and take all my electronics away. Sheesh. Some days I wonder if I deserve a computer...)
